'On this lowered altar, on a summit between tabletop and bench, the props are vulnerable to their environmental frames. A transparent stick bisects the horizontal assemblage. Its transparent effect creates a pause in the installation, a full stop. Discovering it, one realizes that it is here where the artist has departed her miniature headless world. This is the point where one may begin to unpack the playground that appears to have been left aside.'
From the essay Schafskopf by Radhika Khimji, BOX, Berlin, 2009